ZAPPA IN NEW YORK Titties & Beer Notes and Comments |
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It was the blackest night There was no moon in sight You know the stars ain't shinin' 'Cause the sky's too tight I heard the scarey wind I seen some ugly trees There was a werewolf honkin' 'Long the side of me I'm mean 'n I'm bad, y'know I ain't no sissy Got a big-titty girly by the name of Chrissy Talkin' about her 'n my bike 'n me... 'N this ride up the Mountain of Mystery, Mystery |
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Scene 1: A soldier, on his way home on leave is accosted by an old man (the devil in disguise) who attempts to push a book on him. The soldier protests that he hasn't any money to buy the book. The old man assures him that the book will bring him wealth untold and that he will gladly exchange it for the soldier's cheap old fiddle. Recognizing a good bargain, the Soldier agrees but soon finds he can't make heads or tails of the book. The devil proposes a simple solution: come stay at my house for a few days (where I have good foods, cigars and drink) and you can teach me to play this fiddle while I teach you the ways of the book. The soldier agrees and soon finds that the old man was as good as his word. | ||
Scene 2: Satisfied, the soldier finds himself back on the road, but as soon as he reaches his village, he discovers that he wasn't at the devil's house for just three days, three years have passed. His fiance has married and has children, his friends and family run from him in horror, thinking that he is a ghost. Disgusted, and realizing who the old man really is, he throws the book away, but the devil, disguised as a cattle merchant, appears and convinces him to take up the book again and make his fortune. | ||
Scene 3: The soldier is indeed wealthy, but all his wealth can't please him since he has lost the only things that matter: his family and his fiance. The devil, this time disguised as an old woman, appears to sell him his fiddle. But when the soldier finds he can no longer play it, he throws the fiddle away again and tears the book to shreds. | ||
Scene 4: The Soldier comes to a town where the kings daughter is ill and a reward of the princesses hand has been offered to whoever can cure her. A fellow soldier in a bar convinces the soldier to give it a shot. The soldier again meets the devil and they play cards. The soldier, in the progress of the game, realizes that the only way to win back his old life is to lose all his money to the devil. The devil falls defeated and the Soldier triumphantly reclaims his fiddle. | ||
Scene 5: The Soldier finds he is able to cure the princess of her illness with his music. At the close of the scene he makes the devil dance a jig to his tune. | ||
Scene 6: The newlyweds are happy as they have never been. The princess begs to be introduced to the Soldier's family, but the soldier, who realizes that to leave the kingdom would put him again under the spell of the devil, refuses. But he can't resist the temptation of his wife's charms and so agrees. As they cross the frontier, the inevitable happens and the devil dances his triumphant dance. | ||
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Technical Notes (thanks to Bill Lantz <lantz@primenet.com> ) | ||
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The terms opera buffa and secular oratorio do not apply in regards to Histoire because there is no singing. So, I think a burlesque or narrative is a better description, also burlesque is another term for vaudeville, and FZ referred to the Flo and Eddie band as a vaudeville band so there you have my 2 cents worth. | ||
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_The Real Frank Zappa Book_ p.116 | ||
"Once I regained mobility, I decided to go back on the road - with the band. The band with Mark and Howard didn't exist anymore - they all had to go out a get other jobs during the year I couldn't work. | ||
The first post-wheelchair appearance was as a RECITER, in a perfomance of Starvinsky's L'Histoire du soldat at the Hollywood Bowl, conducted by Lukas Foss" | ||
CC | ||
And for another IMAGINARY ONE this is second would-be classical music back-assward connection in this album. Now under suspiction is Illinois Enema Bandit. Just look on it... | ||
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I've been waiting for YEARS for this to be reissued. Tatiana is dead now. | ||
(Don't be fooled by the enema banditry and the Zappa endorsement into thinking this is comedy music, mind you; the opera is mostly quite grim, as it deals largely with the torture and burning at the stake of a priest falsely accused of sexually molesting the demented nun.) | ||
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"Where's those titties I like so well, 'n' my godam beer!" Is what I stared to yell, then I heard this noise Like a crunchin' twig, 'n' up jamped the Devil... He's about that big |
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Well he just got out his floss 'N started cleanin' his fang So I shot him with my shooter Said: BANG BANG BANG |
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"Man, You can't fool me...you ain't that bad... I mean you shoulda seen some of the souls I had... Why there was Milhous Nixon 'n Agnew, too... 'n both of those suckers was worse 'n you..." |
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"Wait a minute...a tinge of doubt crosses my mind...when you say... that you want to make a deal with me..." "That's very, very true I'm only interested in two things "Yeah?" See if you can guess what they are" "I would think...uh...let's see, maybe Stravinsky..." |
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Just innocent mockery or another evidence of L'histoire-Titties connection? | ||
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"I'll give you two clues. Let go of your pickle" "What?" "Let go of your pickle!" |
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"I'm not holding my pickle" "Well, who's holding your pickle then?" "I don't know...she's out in the audience... Hey Dale, would you like to come up here and hold my pickle to satisfy this weird man out on the stage?" |
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She said "I got me three beers and a fistful of downs and I'm gonna get ripped, so fuck, you clowns!" |
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CC | ||
See 200 MOTELS Strictly Genteel song's final | ||
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Then she gave us the finger, it was rigid and stiff |
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:-))) | ||
o O oOOO That gesture I believe ( O \ ( |
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:-))))) | ||
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Provocation, compilation and design © Vladimir Sovetov, 1994-2004 You could download, copy and redistribute this material freely as long as you keep copyright notice intact and don't make any profite on it. |