BONGO FURY Advance Romance Notes and Comments |
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I can't stand it no more Told me she loved me I believed what she said Took me for a sucker, boy All corn-fed |
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Now, there is also a little-known slang phrase: "Corn-fed sucker", which is just a colorful colloquialism for "sucker" and this is the primary interpretation of this lyric. But, as with many FZ lyrics he most certainly chose his words with great care so as to have several different shadings (and said so in a number of interviews). If one interpretation is lyrically vague it will often be referenced or reflected musically. This is what's happening in this bit of lyric. | ||
The "hip jazz-cat" interpretation of the term "Corn-fed" is supported by the blindingly fast music which appears just after this phrase in many arrangements of this song. The fact that this musical reference appears in the middle of a phrase which lyrically has nothing to do with the music might seem to be just plain old AAAFNRAA, but as I have demonstrated (at my customary great length) this ain't necessarily so. | ||
There are other references to this kind of "hip jazz cat" slang in FZ's material. A number of examples are found in Yo Cats: | ||
"Get your fiddle, get your bow play some footballs on your hole" |
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This refers to a session violinist who gets the extremely easy and high-paying job of playing whole notes (which in music look like footballs) while keeping the bow level with the widest part of the violin's "F-holes" (F-shaped carvings in the body of the instrument through which the air in the instrument gets out to interact with the surrounding air for the benefit of people who are impatiently waiting to sip overpriced cheap wine and be seen at intermission). The reason one would play "on your hole" is because the loudest and most resonant sound you can normally get out of an instrument of the violin family is to play with the bow level with the F-holes. | ||
"Saxophone, clarinet How many doubles can you get?" |
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This refers to the probably forced hiring of one union musician (due to "special union rules") to cover both the sax and clarinet parts (a "double date") that way the musician makes more money than he would if he had played only one part. | ||
There are additionally a shitload of places in FZ's music where you fully understand the lyrics yet you're missing out on a whole dimension if you're not familiar with the musical reference happening at the same time. An excellent example occurs in "Ship Arriving Too Late To Save A Drowning Witch" at the point in the lyrics wherein it is written: | ||
"For some kind of ritual sacrifice" |
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Going on behind this lyric is a famous quotation from Stravinsky's "Rite Of Spring" (which ends with a "Sacrificial Dance"). | ||
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She took George's watch Like they always do (It was a Timex, too!) |
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guitar solo |
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Potato-head Bobby |
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Also in another incarnation is Thing-Fish and De Mammy Nuns | ||
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was a friend of mine Open three of his eyes In the food stamp line Open four of his eyes In the food stamp line Open five of his eyes In the food stamp line Open six of his eyes In the food stamp line |
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She had frenched his fry |
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(You can see them forming the word "Thing Fish" on the cover of "Thing Fish".) | ||
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Any proposal? I'd like to hear! |
Provocation, compilation and design © Vladimir Sovetov, 1994-2004 You could download, copy and redistribute this material freely as long as you keep copyright notice intact and don't make any profite on it. |